Sunday, May 24, 2020
Caves as Symbol of Chaos Essay - 1662 Words
The use of caves in mythology to depict darkness and abandonment has branded it as a symbol of chaos. From this perception other associations are made which connect the cave to prejudices, malevolent spirits, burial sites, sadness, resurrection and intimacy. It is a world to which only few venture, and yet its mysticism has attracted the interest of philosophers, religious figures and thinkers throughout history. These myths are exemplified in Homerââ¬â¢s quot;Odyssey,quot; where the two worlds of mortals and immortals unite in the eternal cave. To Plato, the cave represents the confusion between reality and falsehood. Individuals chained deep within the recesses of the cave mistake their shadows for physical existence. Theseâ⬠¦show more contentâ⬠¦It becomes a system both unstable and lawless, and survival as a guest in such a cave is only accomplished through the complete submission to the sovereign. In Odysseusââ¬â¢ encounter with the Cyclops, it is his disregard for Polyphemosââ¬â¢ authority that costs him the lives of several companions, and ultimately a ten year delay on his return home. The land of the Cyclops epitomizes darkness, chaos, and abandonment; where the only law exists past the entrance of the cave. From the islandââ¬â¢s shore a quot;high wall of...bouldersquot;2 can be seen encircling each cave. Clearly impossible of being accomplished by mortals, massive walls of similar description found standing after the Persian Wars were also thought by ancient Greeks to be the work of the Cyclops. Unfamiliar to this system of power, Odysseus disregards these laws and enters the cave without an invitation. For this reason, Polyphemos implicates his own punishment onto the trespassers, and kills six men. In order to escape the wrath of the Cyclops, Odysseus eventually blinds him, an offense which falls under the jurisdiction of Poseidon, and for which he ultimately pays throughout his wanderings. The uncontrollable winds next direct Odysseus through a narrow strait outlined by rocks and cliffs through which he must pass to return home. On these cliffs which stand opposite each other lurk Scylla and Charybdis, one side quot;reach[ing] upShow MoreRelatedThe Conch Shell In Lord Of The Flies Analysis962 Words à |à 4 Pagesuse to call the other boys to establish a makeshift society. The conch soon becomes an important symbol as a means of maintaining order. If we follow the conch throughout the story, we can see that it symbolizes and channels precious civilizing forces, such as democracy, as well as law and order. As the boys continue to disregard and mistreat the conch, their society crumbles until savagery and chaos ensue. The conch is introduced early on in the novel, moments after Ralph and Piggy meet each otherRead MoreChapter Fourteen : A Cave Full Of Chaos701 Words à |à 3 PagesChapter Fifteen: A Cave Full of Chaos ââ¬Å"Madison, wake up.â⬠Seth was shaking my shoulder. I could hear the drip, drip, drip of the dew trickling down the cave wall. In the distance, the sun slipped behind a dark green mountain turning the sky a pale maroon. I couldn t move. I glanced around trying to fight my way back out of the groggy trance. Twist, Jacob and Ryan sat with their backs against the wall of the cave. We were tied up on the other side. Two guys with dark sunglasses stood guard atRead MoreThe Allegory Of The Cave By Plato1511 Words à |à 7 PagesIn our class, we read three powerful and meaningful texts. We started by reading The Allegory of the Cave by Plato, a Greek philosopher who lived from 428-347 B.C.E. This text led to our reading of The Four Idols by Francis Bacon, an English philosopher who came much later than Plato and lived from 1562 to 1626. Lastly, we read The Word Weavers/World Makers by Neil Postman, who lived from 1931-2003. There seems to be a recurring theme in which they themselves deal with ideas of knowledge and illusionsRead MoreThe Social Chaos Of World War I1619 Words à |à 7 PagesEuropean avant-gardes; the emancipation of women; the growth of photography, cinema, and mass media; and two world wars. However, she proved herself as a pioneer of photomontage and as a feminist icon. Hannah Hà ¶ch focuses her artwork on the political chaos of World War I, as shown in Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch. 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However, the reader quickly begins toRead MoreArt Movements From 17th 20th Century1453 Words à |à 6 Pagesencourages the society to continue to fight. The scarlet Phrygian cap is a symbol of a freed slave and this represented an urgency to fight for inalienable rights such as freedom. Of the surrounding individuals, there are three that standout, though they all may be from different classes and/or ages, their commonality of fighting for France remains strong and united. Though, many would consider these differences to be divisional, the symbol of the towers of Notre Dame in the background has significance inRead MoreTennessee Williams A Streetcar Named Desire929 Words à |à 4 Pagesagain to stay in Stanââ¬â¢s side. Tennessee Williams makes the use of symbols, and metaphors sometimes throughout ââ¬Å"A Streetcar Named Desireâ⬠to tell the reader/viewer something about the world. In the first scene Stanley throws raw meat to Stella. I strongly think that Williams wanted to say that Stan was a character who represented chaos, that he was a rude man or a primal since the first men who brought raw meat to the house were the cave men. In the other hand, Blanche represented order, she was fragileRead MorePerfume, By Patrick Suskind Essay1598 Words à |à 7 Pagesensued national and global chaos after the French Revolution to represents its influence on Germany and its constituent populace. Perfumeââ¬â¢s mid-18th century setting boasts a religious presence through the Kingship rights employed by Roman Catholic Church doctrines, that was gradually diminishing due to an Age of Enlightenment paradigm-shift and an introduction of humanistic and nihilistic views from the French Revolution. In past and present-days, perfume has been a symbol of religion and divine transcendence
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